Economy & business
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Environmental Groups Sue Trump Administration for Approving Keystone Pipeline

Several environmental groups filed lawsuits against the Trump administration on Thursday to challenge its decision to approve construction of TransCanada Corp’s controversial Keystone XL crude oil pipeline.

In two separate filings to a federal court in Montana, environmental groups argued that the U.S. State Department, which granted the permit needed for the pipeline to cross the Canadian border, relied on an “outdated and incomplete environmental impact statement” when making its decision earlier this month.

By approving the pipeline without public input and an up-to-date environmental assessment, the administration violated the National Environmental Policy Act, groups including the Center for Biological Diversity, Sierra Club and the Northern Plains Resource Council said in their legal filing.

“They have relied on an arbitrary, stale, and incomplete environmental review completed over three years ago, for a process that ended with the State Department’s denial of a cross-border permit,” the court filing says.

In the other filing, the Indigenous Environmental Network and North Coast Rivers Alliance sought injunctive relief, restraining Transcanada from taking any action that would harm the “physical environment in connection with the project pending a full hearing on the merits.”

Trump surrounded by supporters

U.S. President Donald Trump announced the presidential permit for the Keystone XL at the White House last week. TransCanada’s Chief Executive Officer Russ Girling and Sean McGarvey, president of North America’s Building Trades Unions, stood nearby.

Trump, a Republican, said the project would lower consumer fuel prices, create jobs and reduce U.S. dependence on foreign oil.

His Democratic predecessor, former president Barack Obama, rejected the pipeline, saying it would lead to an increase in greenhouse gas emissions and do nothing to reduce fuel prices for U.S. motorists.

“This tar sands pipeline poses a direct threat to our climate, our clean water, wildlife, and thousands of landowners and communities along the route of this dirty and dangerous project, and it must and will be stopped,” said Michael Brune, executive director of the Sierra Club, one of the groups that filed the lawsuit.

Earlier lawsuit targets coal leases

The lawsuits came on the heels of a lawsuit filed on Wednesday challenging other recent moves to undo Obama’s climate change regulations.

Conservation groups and the Northern Cheyenne Native American tribe of Montana sued the administration on Wednesday for violating the National Environmental Policy Act when it lifted a moratorium on coal leases on federal land.

All lawsuits have been filed in U.S. District Court in Montana’s Great Falls Division.

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Arts & Entertainment
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US Art Houses Program Protest as ‘1984’ Heads Back to Theaters

On Tuesday, it will be “1984” again in movie theaters across the country.

About 190 art-house theaters have banded together to show the 1984 big-screen adaptation of George Orwell’s dystopian masterpiece as a pointed comment on the presidency of Donald Trump, whose “alternative facts” administration has already sent “1984” back up the bestseller lists .

“It’s what’s in the air. People want to do something,” said Dylan Skolnick, an organizer of the event and co-director of the Cinema Arts Centre in Huntington, New York. “This started with a conversation about: We need to do something. Well, what do we do? We show movies. So the obvious answer was: We should show a movie.”

New resonance

Cinemas around the country are increasingly programming with political protest in mind, playing movies that have newfound resonance for those who disagree with the policies of the Republican president. In May, 60 theaters are planning to screen films from the predominantly Muslim nations targeted by Trump’s proposed travel ban. That initiative has been dubbed the Seventh Art Stand and billed as “an act of cinematic solidarity against Islamophobia.”

Cinemas, particularly independent ones, are places to gather and connect, and they are finding under Trump a renewed sense of mission that goes beyond the usual arguments for the big-screen experience over Netflix.

“To really genuinely connect with other people — which seems to be a consistent theme our country is struggling with — it’s all about being in a corporeal public sphere together, and doing that in and around art,” said Courtney Sheehan, executive director of Seattle’s Northwest Film Forum and an organizer of the Seventh Art Stand. “We’re not just an ancillary component of social change conversation. This is ground zero for action.”

 

A Trump effect has already been partially seen in the recent box-office success of Jordan Peele’s horror hit “Get Out” and Raoul Peck’s James Baldwin documentary “I Am Not Your Negro” — movies that offer a straight talk on racial issues that might be lacking in Washington. On the small screen, Turner Classic Movies more cheekily programmed Elia Kazan’s “A Face in the Crowd,” with Andy Griffith as a populist radio personality who rises to political demagogue, to air on Inauguration Day.

“1984,” the second movie version starring John Hurt and Richard Burton, will play in 175 cities and 44 states, as well as a few internationally in Canada, England and Sweden. The event has been organized under the name United States of Cinema; its website lists the participating theaters. April 4 was selected because that’s when Orwell’s Winston Smith begins his forbidden diary as a rebellion against his oppressive government.

“It’s just a work that has a lot of resonance with what’s going on. It hits a lot of crucial notes,” Skolnick said. “Orwell wrote about and the film talks about the essential thing of being able to say two plus two equals four, even if the government says, ‘No, two plus two equals five.’ ”

A similar motivation fueled Richard Abramowitz, founder and president of the indie film distributor Abramorama. He and Sheehan began discussing organizing something at the Sundance Film Festival in January, and their plan has attracted the support of Steve Buscemi, Jonathan Demme, Woody Harrelson and others. Other companies have joined, as well; the online video hub Vimeo will show shorts focused on refugee stories.

Since the Seventh Art Stand was announced two weeks ago, Sheehan said, participating theaters have doubled from 30 to about 60. The state with the largest number, she said, is Indiana. Theaters have a long list of films from which to choose from Iran, Syria, Sudan, Yemen, Libya and Somalia. (The most recent version of the travel ban has thus far been blocked by the courts.) Most notable is Iranian filmmaker Asghar Farhadi’s Oscar-winning “The Salesman.” The celebrated filmmaker boycotted February’s Academy Awards, where he won his second Oscar, because of the travel ban.

Abramowitz calls the movie theater “a safe space now,” where people can experience other cultures “that are being more threatened now than before.”

“We recognize that there are far more people that are welcoming in this country than not. And we wanted to try to create spaces all over the country where people could recognize this,” he said. “We thought maybe this would be a good way to engage the community rather than sit around and fume.”

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