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Oscar-winning actress Angelina Jolie says she never intended to step behind the camera, but traveling around the world for the United Nations opened her eyes to the conflicts that have inspired many of her most recent films.

“I never thought I could make a movie or direct,” Jolie told an audience at the Toronto Film Festival on Sunday, which is screening her Cambodian genocide film “First They Killed My Father” and Afghan film “The Breadwinner.”

Jolie said her first major film as a director, the 2011 Bosnian war drama “In the Land of Blood and Honey,” was prompted by her humanitarian work as a special envoy for the United Nations refugee agency.

“I wanted to learn more about the war of Yugoslavia. I had been in the region and traveling in the UN. It was a war I really couldn’t get my head around. … It was not a goal to become a director,” she said.

“The Breadwinner,” an animated film that she produced, is about a young Afghan girl who cuts her hair and poses as a boy in order to feed her family.

It “tells the sad reality of many girls having to work and not go to school,” said Jolie, who has made several trips to Afghanistan. “The people I have met over the years are truly my heroes.

The nice thing about being a director is to champion other people,” Jolie added.

Jolie said “First They Killed My Father,” was inspired by wanting to learn more about the history of Cambodia, the birthplace of her son Maddox, one of her six children.

She said she wanted “Maddox to learn about himself as a Cambodian in a different light.”

The film, which was screened in Cambodia earlier this year, tells the story of a young girl during the country’s 1970s genocide who is forced into the countryside to toil in rice paddies and then take up arms as a child soldier.

Jolie, 42, who won a supporting actress Oscar for “Girl, Interrupted” in 2000, shrugged off her status as a role model for women.

“I have a lot to learn and need role models myself,” she said.
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Patty Jenkins will return to direct the 2019 sequel to this year’s hit superhero movie “Wonder Woman,” film trade publications said on Monday, after she became the highest-grossing female director in Hollywood history.

Jenkins, 46, will once again direct Israeli actress Gal Gadot as the titular superhero in “Wonder Woman 2,” scheduled for release on Dec. 13, 2019, publications including Variety and Hollywood Reporter said.

Movie studio Warner Bros did not comment on the news and has not given any further details on the sequel.

“Wonder Woman,” was the first standalone movie to star a female superhero since 2005’s box office dud “Elektra,” and the first to be directed by a woman.

It rode to the top of the box office in June on a wave of good reviews and female empowerment, and with $816.4 million at the worldwide box office, it is now the second-biggest movie of the year after the live action version of “Beauty and the Beast.”

Jenkins overtook Phyllida Lloyd, who directed 2008’s musical “Mamma Mia!,” for the title of highest-grossing female director.

Gadot’s Wonder Woman will next be seen in November’s superhero ensemble movie “Justice League,” alongside Ben Affleck’s Batman and Henry Cavill’s Superman.

“Wonder Woman,” the fourth film in Warner Bros’ current iteration of DC Comics’ cinematic franchise, helped boost profits for Warner Bros.’ parent company Time Warner Inc.
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President John F. Kennedy’s granddaughter and Caroline Kennedy’s daughter Tatiana Schlossberg has gotten married at the family’s Martha’s Vineyard home.

The New York Times reports the 27-year-old Schlossberg married 28-year-old George Moran on Saturday with former Massachusetts Governor Deval Patrick officiating. The couple met in college at Yale. Schlossberg was an environmental reporter for the Times until July. Moran is a medical student at Columbia University.

Schlossberg is Caroline Kennedy’s second child. She has an older sister, Rose, and a younger brother, Jack. They are President Kennedy’s only grandchildren. He was assassinated just before Caroline Kennedy’s sixth birthday in November 1963.

Kennedy served as ambassador to Japan under former President Barack Obama until earlier this year.
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Cardi B. has a breakthrough hit with “Bodak Yellow (Money Moves)” and the rapper said she’s ready to follow the single’s success with an album next month.

“I have an album coming. It will be dropping in October. I’m an October baby,” Cardi B., who turns 25 on Oct. 11, said in a recent interview. “I’m a little nervous to put the project out, but I think it’s going to be pretty good.”

Cardi B. said she’s nervous because there’s “a lot of pressure on” her after the success of “Bodak Yellow,” which is currently No. 3 on the Billboard Hot 100 chart, just under Taylor Swift’s comeback hit “Look What You Made Me Do” and the year’s biggest smash, Luis Fonsi’s “Despacito.”

“Everybody’s waiting to see what I’m going to have next and it’s like, ‘…I hope people love it,’ ” she added. “But I have confidence. I really do.”

“Bodak Yellow” has become a No. 1 hit on both the R&B and rap charts, and is one of the year’s most streamed songs. The New York-born rapper, who first gained attention on Instagram, appeared on the VH1 reality show “Love & Hip Hop” before the song’s massive success. The song has helped her become one of the few solo female acts to launch a major hit on the pop charts, which has recently been dominated by male performers for the last two years.

“It feels amazing and it’s overwhelming. It’s like, it fills me up with lot of happiness and a lot of joy,” she said. “It’s just like unbelievable. I’ve been through so many things and I worked so hard for me to be here, and it’s like I’m finally here getting what I wanted, (and getting) the respect from other artists and from everybody.”

One of those artists is Beyonce.

“I’m surprised Beyonce liked me,” Cardi B. squealed. “I met Beyonce!”

“It’s like, ‘Oh my God!’ That’s how it feels like. I can’t talk, I can’t breathe,” she added.

When asked what female rappers she’d like to work with, Cardi B. said: “Well, all of them.” She listed Lil Kim, Trina and Remy Ma as some of her idols.

Cardi B. said she’s been finding time to treat herself in between studio recordings, concerts and photo shoots.

“The first splurge that I did I bought like an $80,000 watch but that’s because I’m a rapper. I need jewelry,” she said, laughing.

 
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Renowned French-Lebanese film director Ziad Doueiri appeared before a military court in Beirut Monday to face questions about his role in a past movie project in neighboring Israel. Lebanon bans its citizens from travel to Israel or having business dealings with Israelis as the two nations are in a state of war.

Doueiri was briefly detained at Beirut’s Rafic Hariri airport late Sunday and his passports confiscated after arriving in Lebanon to promote a new movie that received critical acclaim at the Venice Film Festival recently.  Following his release, Doueiri’s lawyer reportedly told media assembled outside the court that Doueiri had been freed following several hours of investigation and given back his travel documents.

At issue was the earlier film, The Attack, which was released in 2012.  The Attack, about a suicide bombing in the Israeli city of Tel Aviv, was filmed in part in Israel and banned in Lebanon.

Profoundly hurt

In a statement to the French news agency before his appearance in court, Doueiri said, “I am profoundly hurt.  I came back to Lebanon with a prize from Venice.  The Lebanese police have authorized the broadcast of my film (The Insult).  I have no idea who is responsible for what has happened.”

Doueiri had flown from the Venice Film Festival, where The Insult, his fourth film, had won the Coppa Volpi best actor prize for Palestinian actor Kamel El Basha.  The Insult is set in Beirut and focuses on the escalation of a minor argument between a Palestinian refugee and a Lebanese Christian.

Doueiri was offered the support of Lebanon’s culture minister, Ghattas Khoury, following the brief detention.  “Ziad Doueiri is a great Lebanese director and that has been honored across the world,” Khoury tweeted, before adding, “Respecting and honoring him is a duty.”

Doueiri, however, angered many Lebanese when the earlier movie, The Attack, was released.

Unpredictable approach

According to Ayman Mhanna, director of Lebanon-based free speech NGO SKeyes, Doueiri’s appearance in court was symptomatic of an unpredictable approach within the government regarding the director’s time in Israel.

Although Mhanna “did not question” the laws preventing Lebanese visits to Israel, he told VOA that Doueiri had visited Lebanon numerous times without repercussion.

The government’s response was “chaotic” and “destabilizing,” he added, with one part of it endorsing Doueiri and another seeking to detain him. Mhanna noted that the Ministry of Culture recently backed Doueiri’s latest film, The Insult, to represent Lebanon in the foreign film category at next year’s Academy Awards in the United States.

Meanwhile, the trying of civilians in military courts has also attracted criticism.

A report by Human Rights Watch earlier this year highlighted the use of such courts to try civilians involved in protests against the Lebanese government’s handling of the country’s waste crisis.

Bassam Khawaja, of Human Rights Watch, told VOA, “Regardless of detentions being brought, Doueiri should not be tried in a military court.

“Unfortunately military courts are still used in Lebanon to try civilians on a broad range of charges, in violation of their due process rights and international law.

“These trials largely take place behind closed doors, with limited grounds for appeal, and it is difficult to see how he would get a fair trial there.”

Long history

There is a a long history of perceived moments of Israeli acknowledgment or collaboration drawing swift rebuke in Lebanon, which was first invaded by its southern neighbor in 1978.

In May, global box office hit Wonder Woman was barred from Lebanese theaters because it starred former Israeli army soldier Gal Gadot.  Last month, Swedish-Lebanese dual citizen Amanda Hanna was stripped of her title Miss Lebanon Emigrant after those behind the event discovered she had visited Israel using her Swedish passport in 2016.

Doueiri is one of the most acclaimed Lebanese directors of his generation.  He first made a name for himself with Lebanese civil war classic West Beirut, which was released in 1998.

He began his career as first camera assistant for Quentin Tarantino on the director’s films Reservoir Dogs, Pulp Fiction, and Jackie Brown.
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Kristen Bell says she’s “singing in a hurricane” while riding out Irma in Florida.

The “Frozen” star is in Orlando filming a movie and staying at a hotel at the Walt Disney World resort. She stopped by an Orlando middle school that was serving as a shelter and belted out songs from “Frozen.” Back at the hotel, Bell posted pictures on Instagram of her singing with one guest and dining with a group of seniors .

Bell also helped out the parents of “Frozen” co-star Josh Gad by securing them a room at the hotel .

Bell tells Sacramento, California, station KMAX-TV, where her father is news director, that the experience is her version of one of her favorite movies, “Singin’ in the Rain.”

 
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Rebel super-hacker Lisbeth Salander is back in the fifth book in the Millennium series, this time battling neo-Nazi prison gangs and honor killings as well as trying to uncover the secrets about her troubled childhood.

The Girl Who Takes an Eye for an Eye is the long-awaited return of Salander, the small but combative computer wizard and hobby quantum physicist, that was introduced to readers in The Girl With the Dragon Tattoo, published in 2005.

The best-selling series, which made the “Nordic Noir” genre of gritty Scandinavian crime novels popular globally, was created by author and reporter Stieg Larsson who had completed the first three novels before he died in a heart attack in 2004.

Author David Lagercrantz was commissioned to write a fourth novel, published in 2015, and this time around he delves deeper into the mystery of her childhood where she often witnessed her mother being abused by her father.

“The big question is, of course, why does Lisbeth Salander have a big dragon tattoo on her back, and you can be sure that a girl like her wouldn’t [get] a dragon tattoo without a very good reason,” Lagercrantz said.

“I had to find something, you know, that was really heavy and mythical, and when I did, I sort of had a story. I’ve added more darkness to Lisbeth Salander.”

The book, which was released Thursday, also draws inspiration from issues Sweden has grappled with in recent years, such as a resurgent far-right movement and honor killings — both fiercely debated topics in the Nordic country.

“Sweden is now changing so quickly and that is something I have to deal with as well,” Lagercrantz said.

Sweden was shocked after members of a neo-Nazi cell conducted a string of bombings in the city of Gothenburg around the turn of the year, while the far-right Nordic Resistance Movement has stepped up its activity.

As a reporter, Larsson devoted much of his life to investigating Sweden’s far-right movement. In 1995, he co-founded the anti-Fascist magazine Expo and worked there until his death.

“That was the core of Stieg Larsson, to fight intolerance, racism and Fascism,” said Lagercrantz.

Honor killings have also been on the agenda. A recent report by Swedish public service radio showed 10 of the 105 murders in Sweden last year were honor killings. The government has launched an investigation and said it is reviewing relevant legislation.

The original three books have been translated into 50 languages and sold more than 80 million copies while the fourth sequel, the first penned by Lagercrantz, has sold 6 million.
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Rebel super-hacker Lisbeth Salander is back in the fifth book in the Millennium series, this time battling neo-Nazi prison gangs and honor killings as well as trying to uncover the secrets about her troubled childhood.

“The Girl Who Takes an Eye for an Eye” is the long-awaited return of Salander, the small but combative computer wizard and hobby quantum physicist, that was introduced to readers in “The Girl With the Dragon Tattoo”, published in 2005.

The best-selling series, which made the “Nordic Noir” genre of gritty Scandinavian crime novels popular globally, was created by author and reporter Stieg Larsson who had completed the first three novels before he died in a heart attack in 2004.

Author David Lagercrantz was commissioned to write a fourth novel, published in 2015, and this time around he delves deeper into the mystery of her childhood where she often witnessed her mother being abused by her father.

“The big question is of course why does Lisbeth Salander have a big dragon tattoo on her back and you can be sure that a girl like her wouldn’t (get) a dragon tattoo without a very good reason,” David Lagercrantz said.

“I had to find something you know that was really heavy and mythical, and when I did, I sort of had a story. I’ve added more darkness to Lisbeth Salander.”

The book, which was released on Thursday, also draws inspiration from issues Sweden has grappled with in recent years, such as a resurgent far-right movement and honor killings – both fiercely debated topics in the Nordic country.

“Sweden is now changing so quickly and that is something I have to deal with as well,” Lagercrantz said.

Sweden was shocked after members of a neo-Nazi cell conducted a string of bombings in the city of Gothenburg around the turn of the year while the far-right Nordic Resistance Movement has stepped up its activity.

As a reporter, Stieg Larsson devoted much of his life to investigating Sweden’s far-right movement. In 1995, he co-founded the anti-Fascist magazine Expo and worked there until his death.

“That was the core of Stieg Larsson, to fight intolerance, racism and Fascism,” said Lagercrantz.

Honor killings have also been on the agenda. A recent report by Swedish public service radio showed 10 of the 105 murders in Sweden last year where honor killings. The government has launched an investigation and said its reviewing relevant legislation.

The original three books have been translated into 50 languages and sold more than 80 million copies while the fourth sequel, the first penned by Lagercrantz, has sold 6 million.
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