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“Hadestown,” singer-songwriter Anais Mitchell’s Broadway debut, earned a leading 14 Tony Award nominations Tuesday, followed by the jukebox musical “Ain’t Too Proud,” built around songs by the Temptations, which received a dozen nominations.

The musical “Hadestown,” which intertwines the myths of Orpheus and Eurydice and Hades and Persephone, bested more familiar names, including stage adaptations of the hit movies “Tootsie” and “Beetlejuice,” which both also got best musical nods. The giddy, heartwarming “The Prom” rounds out the best new musical category.

“Hadestown” also was the only new musical on Broadway directed by a woman, Tony Award nominee Rachel Chavkin, who earned another one Tuesday.

“I’m trying not to swear, but I am so proud of the 14 nominations. There is just not a weak spot on the team. There is no place where we haven’t all been working our asses off to make this show feel as ancient and as `now’ as possible, simultaneously,” she said by phone.

The best-play nominees are the Northern Irish drama “The Ferryman,” from Jez Butterworth; James Graham’s “Ink,” about Rupert Murdoch; Taylor Mac’s Broadway debut, “Gary: A Sequel to Titus Andronicus”; Tarell Alvin McCraney’s “Choir Boy”; and Heidi Schreck’s “What the Constitution Means to Me,” a personal tour of the landmark document at the heart of so many American divisions.

Des McAnuff, who directed “Ain’t Too Proud,” pointed to the timeliness of his musical, which charts the rise, sacrifices and challenges facing the 1950s group that sang “Baby Love” and “My Girl.”

“I think when people come to the Imperial Theatre, they’ll find that the story is as pertinent now as it was when they lived it,” he said. “It applies to Black Lives Matter and what’s going on in this country in terms of the tensions today.”

Theater veterans were surprised to see Aaron Sorkin’s adaptation of “To Kill a Mockingbird”; “Hillary and Clinton,” about Hillary Clinton’s 2008 presidential campaign; and the stage adaptation of the media satire film “Network” not getting best play nods, though they did earn recognition in other categories.

McAnuff said it has been a strong season for plays and wildly eclectic. “To me, that’s what the American theater’s about,” he said, adding he was surprised that Sorkin wasn’t recognized for his “brilliant” adaptation but “that speaks to the fact that there’s so many worthy works out there.”

The nomination for “Tootsie” means composer and lyricist David Yazbek could be one step closer to getting back-to-back wins. His show “The Band’s Visit” won best new musical last year.

Laurie Metcalf got an acting nod for “Hillary and Clinton” and if she wins the Tony this year, she will be the first person to win acting Tonys three years consecutively. (She won in 2018’s “Three Tall Women” and “A Doll’s House, Part 2” in 2017).

A sweet “Kiss Me, Kate” and a dark “Oklahoma!” make up the best musical revival category; they were the only eligible nominees. The best play revival nominees are “Arthur Miller’s All My Sons,” “The Boys in the Band,” “Burn This,” “Torch Song” and “The Waverly Gallery.”

Ali Stroker, the first actress who needs a wheelchair for mobility known to have appeared on a Broadway stage, earned a Tony nomination for “Oklahoma!”

Nominees for best actor in a play include Paddy Considine from “The Ferryman,” Bryan Cranston in “Network,” Jeff Daniels in “To Kill a Mockingbird,” Adam Driver from “Burn This” and Jeremy Pope in “Choir Boy.” Pope is also up for a featured role in “Ain’t Too Proud — The Life and Times of the Temptations.”

The category of best actress in a play includes Annette Bening in “Arthur Miller’s All My Sons,” Laura Donnelly in “The Ferryman,” Elaine May in “The Waverly Gallery,” Janet McTeer in “Bernhardt/Hamlet,” Metcalf in “Hillary and Clinton” and Schreck from “What the Constitution Means to Me.”

Those nominated for best actor in a musical are Brooks Ashmanskas from “The Prom,” Derrick Baskin in “Ain’t Too Proud — The Life and Times of the Temptations,” Alex Brightman from “Beetlejuice,” Damon Daunno in “Rodgers & Hammerstein’s Oklahoma!” and Santino Fontana in “Tootsie.”

Patrick Page, who has appeared in over a dozen Broadway shows including “Dr. Seuss’ How the Grinch Stole Christmas!,” “The Lion King” and “Spider-Man: Turn Off the Dark,” earned his first Tony nomination for playing Hades in “Hadestown.”

“I think I just appreciate it more than I can say really. It’s something I wanted. It’s hard to want something,” he said. “There have been a lot of times where I have been in the mix and haven’t been nominated. So it’s just a wonderful feeling and frankly a bit of a relief. And especially for such a wonderful show.”

Nominees for best leading actress in a musical are Stephanie J. Block in “The Cher Show,” Caitlin Kinnunen and Beth Leavel both in “The Prom,” Eva Noblezada in “Hadestown” and Kelli O’Hara in “Kiss Me, Kate.”

Leavel, who earned a Tony in 2006 for “The Drowsy Chaperone,” joked by phone that she paced “about 4 miles” waiting for the live announcement: “I got my steps in!” Her musical, about four fading stars whose desperate need for a new stage leads them to protest a small-town prom, earned seven nods. She expects an especially fun performance Tuesday night following the nominations: “It’s just a special evening,” she said. “We get to share this moment. It’s really cool.”

Block, a veteran of Broadway shows such as “The Mystery of Edwin Drood” and “Falsettos,” got her third nomination for playing one of three actresses who portray the title character in “The Cher Show.”

“Stepping into the life of Cher each night and getting to tell her story eight times a week is a one-of-a-kind experience I will always cherish. This show has truly changed me,” she said in a statement.

Hollywood A-listers Cranston, Driver, May and Daniels made the cut but some of their starry colleagues did not, including Kerry Washington, Armie Hammer, Ethan Hawke, Joan Allen, Michael Cera, Lucas Hedges and Keri Russell.

For a few theater veterans behind the scenes, the nominations were doubly good: Ann Roth was nominated for creating the costumes for both “Gary: A Sequel to Titus Andronicus” and “To Kill a Mockingbird,” while William Ivey Long earned nods for both “Beetlejuice” and “Tootsie.”

The awards will be presented June 9 at Radio City Music Hall in New York City, airing on CBS. James Corden, the host of CBS’ “The Late Late Show” and a Tony winner himself, will host.
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Netflix announced Tuesday it is joining with the production company for the movie “Crazy Rich Asians” to make a film about last July’s dramatic rescue of 12 village boys in northern Thailand who were trapped with their soccer coach in a flooded cave for more than two weeks.

Netflix and SK Global Entertainment said in Bangkok they have acquired the rights to the story from 13 Thumluang Co. Ltd,, a company that Thailand’s government helped establish to represent the interests of the boys and their coach, who attended the news conference for the announcement.

Thailand’s Culture Ministry in March first unveiled the deal, announced as a miniseries. Deputy government spokesman Weerachon Sukoondhapatipakat was quoted then as saying that the families of the cave survivors would each be paid 3 million baht ($94,000).

The boys of the Wild Boars soccer team and their coach became a center of world attention after they became trapped in the cave on June 23 last year, with doubts they were able to find shelter from rising flood waters that poured in after unexpected rain. They were found by two British divers and brought out by an international crew of experienced cave divers who teamed up with Thai navy SEALs in a dangerously complicated mission that was successfully concluded on July 10.

“We are grateful for the opportunity to thank the people and organizations from Thailand and around the world who came together to perform a true miracle, by retelling our story,” said Ekapol “Ake” Chanthawong, the boy’s assistant coach who shared the ordeal with them. “We look forward to working with all involved parties to ensure our story is told accurately, so that the world can recognize, once again, the heroes that made the rescue operation a success.”

Tuesday’s announcement said 13 Thumluang “has committed to donating 15% of the revenues derived from bringing this story to global audiences to charity organizations that focus on disaster relief.”

Jon M. Chu, who helmed “Crazy Rich Asians,” and Nattawut “Baz” Poonpiriya, a Thai filmmaker, will be directors on the cave project.

“We are immensely proud to be able to support the retelling of the incredible story of the Tham Luang cave rescue,” Erika North, director of International Originals at Netflix, said in a statement. “The story combines so many unique local and universal themes which connected people from all walks of life, from all around the world. Thailand is a very important country for Netflix and we are looking forward to bringing this inspiring local but globally resonant story of overcoming seemingly insurmountable odds to life, once again, for global audiences.”

The rescue was a rare bit of feel-good news from Thailand, which has been mired in political conflict and heavy-handed military rule for more than a decade. The cave rescue also allowed the government of Prime Minister Prayuth Chan-ocha, who had seized power in a 2014 military coup, to share in some glory.

An independent film about the adventure, “The Cave,” was shot soon after the rescue and is supposed to be released later this year.
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Commemorations for Leonardo da Vinci’s 500th anniversary begin this week in Amboise, in the Loire Valley, with France and Italy setting aside recent tensions to honor the memory of the Renaissance genius in the town where he spent his final years.

In 1516, aged 64, Leonardo da Vinci left Italy to enter the service of King Francis I of France. Many of his masterpieces — St. John the Baptist, the Mona Lisa — followed him and were sold to the French monarch, forming a legacy now exhibited at the Louvre museum in Paris.

Amid diplomatic tensions between Rome and Paris, his legacy has become contentious, with Italy’s Culture undersecretary Lucia Borgonzoni in November telling Italian media she wanted to renegotiate the planned lending of his works to the Louvre for an anniversary exhibition, because “the French cannot have it all.”

It is unclear, for example, whether the iconic drawing of the “Vitruvian Man” will eventually leave Venice to join the Louvre for the display.

But on Thursday, in Amboise, French President Emmanuel Macron and Italian counterpart Sergio Mattarella will seek to ease strains between the two normally close allies that have grown more acute since mid-2018, mostly over migration policy.

They will gather at Leonardo’s tomb, a modest grave in a chapel of Amboise castle containing his presumed remains, and will pay a visit to his house nearby, the Clos Luce, where he died on May 2nd, 1519.

“It’s an extremely solemn gesture, showing that the two countries have this shared memory, this figure, a culture that binds our two countries,” the director of Amboise castle Jean-Louis Sureau told Reuters in an interview.

Da Vinci ‘s arrival in France was no accident, because King Francis I wanted him to join the Court to participate in its international influence and refinement, Sureau said.

“Leonardo da Vinci was unquestionably born in Italy, he’s Florentine, but beyond that, he led a career at the service of several powerful men. This career, and his life, end here, in France,” Sureau added.

During his three years in France, da Vinci focused on perfecting unfinished masterpieces, drawing and scientific writing, but also took part in organizing lavish parties for the King of France.

“This universal man, who, to be clear, was first and foremost Italian, can also be seen as the symbol of a European culture, built beyond traditional divisions,” Catherine Simon Marion, delegate general of the Clos Luce, said.
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