Arts & Entertainment

The chants of “monkey!” at the Spanish soccer stadium echoed across the Atlantic, reaching people on the outskirts of Rio de Janeiro.

That’s where Vinícius Júnior, who is Black, grew up and launched his soccer career. Now, despite his global fame and millions, he was again the target of crude European racism.

His city in multiracial Brazil was sickened and has rallied to his defense.

Racism in the Spanish league has intensified this season, especially after Vinícius started celebrating goals by dancing. On at least nine occasions, people have made monkey sounds at Vinícius, chanted the slur “monkey!” and other racist slurs. Vinícius has repeatedly demanded action from Spanish soccer authorities.

Vinícius’ 2017 move to Real Madrid was the culmination of years of effort. One of the most popular clubs in global soccer paid about $50 million — at the time the most ever for a Brazilian teenager — even before his professional debut with Rio-based Flamengo. Relentless racism wasn’t part of Vinícius’ dream when he was growing up in Sao Goncalo.

Sao Goncalo is the second-most populous city in Rio’s metropolitan region, and one of the poorest in the state of Rio de Janeiro, according to the national statistics institute. At night in some areas, motorists turn on their hazard lights to signal to drug-trafficking gangs that the driver is local. It is also where the 2020 police killing of a 14-year-old sparked Black Lives Matter protests across Rio.

Racism has once again fanned outrage.

Rio’s imposing, illuminated Christ the Redeemer statue was made dark one night in solidarity. The city’s enormous bayside Ferris wheel this week exhibits a clenched Black fist and the scrolling words: “EVERYONE AGAINST RACISM.”

“My total repudiation of the episode of racism suffered by our ace and the pride of all of us in Sao Goncalo,” the city’s mayor, Nelson Ruas dos Santos, wrote on Twitter the morning after the incident.

On Thursday, Spanish league president Javier Tebas held a news conference claiming that the league has been acting alone against racism, and that it could end it in six months if granted more power by the government.

At the same time in Rio, representatives of more than 150 activist groups and nonprofits delivered a letter to Spain’s consulate, demanding an investigation into the league and its president. They organized a protest that evening.

“Vinicius has been a warrior, he’s being a warrior, for enduring this since he arrived in Spain and always taking a stand,” activist Valda Neves said. “This time, he’s not alone.”

On Saturday, players from Vinícius’ former club, Flamengo, took the field at the Maracana Stadium before a Brazilian championship match against Cruzeiro wearing jerseys bearing the player’s name and sat on the pitch before kickoff in an anti-racism protest.

In the stands, thousands of supporters made a tifo that read “everyone with Vini Jr.”

The first Black Brazilian players to sign for European clubs in the 1960s met some racism in the largely white society, but rarely spoke out. At the time, Brazil still considered itself a “racial democracy” and did not take on the racism that many faced.

In the late 1980s, the federal government made racial discrimination a crime and created a foundation to promote Afro-Brazilian culture. At the time, many Brazilian players who might identify as Black today did not recognize themselves as such. Incidents of racism in Europe prompted little blowback in Brazil.

In the decades since, Brazil’s Black activists have gained prominence and promoted awareness of structural racism. The federal government instituted policies aimed at addressing it, including affirmative-action admissions for public universities and jobs. There has been heightened consciousness throughout society.

Vinícius’ own educational nonprofit this week launched a program to train public school teachers to raise awareness about racism and instruct kids in fighting discrimination. A teacher at a Sao Goncalo school that will host the project, Mariana Alves, hopes it will provide kids with much-needed support and preparation. She spoke in a classroom with soccer-ball beanbag chairs strewn about, and enormous photos of Vinícius on the walls.

Most of the school’s students are Black or biracial, and many have experienced racism, Alves said in an interview. This week, her 10-year-old students have been asking if she saw what happened to Vinícius because they don’t fully understand.

“He has money, he has all this status, and not even that stopped him from going through this situation of racism,” said Alves, who is Black and from Sao Goncalo. “So the students wonder … ‘Will I go through that, too? Is that going to happen to me?'”

As a boy, Vinícius started training at a nearby feeder school for Flamengo, Brazil’s most popular club, before signing with its youth team.

Sao Goncalo kids practiced there Wednesday afternoon.

One of them, Ryan Gonçalves Negri, said he has talked about it with his friends outside the soccer school, and that Vinícius should transfer out of the Spanish league “urgently.”

“I would never want to play there,” Negri, 13, said. “It’s not for Brazilians who know how to score goals and celebrate.”
…

Fantasy adventure “Brahmastra: Part One — Shiva” won a series of prizes as the glitzy International Indian Film Academy Awards show started in Abu Dhabi on Saturday.

Star songstress Shreya Ghoshal won best female playback singer for her turn in the romance-laced epic, which also took awards for music direction and lyrics.

The show, studded with flashy dance numbers, is being held in the capital of the oil-rich United Arab Emirates, a third of whose population is Indian, for the second year running.

Earlier the green carpet — adopted in 2007 in a vote for environmentalism — bore some of Bollywood’s biggest names including Abhishek Bachchan, Vicky Kaushal and Sara Ali Khan.

“What does IIFA mean for (Indian) cinema? I think opening up to the global stage and also bringing us to the global stage as well, so it’s exciting both ways,” said actress Jacqueline Fernandez, wearing an Arab-inspired head covering.

The Hindi-language film industry was worth $2.5 billion in 2019. India also releases hundreds of films in its 21 other official languages, churning out about 1,600 each year.

But Mumbai-based Bollywood, the world’s most prolific producer of movies, has been mired in crisis since the pandemic with ticket sales remaining low since cinemas reopened.

The rise in streaming services, competition from other parts of India and demand for meatier fare than Bollywood’s trademark song-and-dance routines have all contributed to the slump, experts say.

However, superstar Shah Rukh Khan’s “Pathaan” smashed Indian box office records in January, in a positive sign for the industry.

Indian cinema also received a boost in March when the viral dance hit “Naatu Naatu” won an Oscar for best song, a first for a film from the country.

The IIFA show, one of several Indian awards ceremonies, is aimed at reaching international audiences and has been held in several countries since its debut in London in 2000.
…

Justine Triet’s “Anatomy of a Fall” won the Palme d’Or at the 76th Cannes Film Festival in a ceremony Saturday that bestowed the festival’s prestigious top prize on an engrossing, rigorously plotted French courtroom drama that puts a marriage on trial.

“Anatomy of a Fall,” which stars Sandra Hüller as a writer trying to prove her innocence in her husband’s death, is only the third film directed by a woman to win the Palme d’Or. One of the two previous winners, Julia Ducournau, was on this year’s jury.

Cannes’ Grand Prix, its second prize, went to Jonathan Glazer’s “The Zone of Interest,” a chilling Martin Amis adaptation about a German family living next door to Auschwitz. Hüller also stars in that film.

The awards were decided by a jury presided over by two-time Palme winner Ruben Östlund, the Swedish director who won the prize last year for “Triangle of Sadness.” The ceremony preceded the festival’s closing night film, the Pixar animation “Elemental.”

Remarkably, the award for “Anatomy of a Fall” gives the indie distributor Neon its fourth straight Palme winners. Neon, which acquired the film after its premiere in Cannes, also backed “Triangle of Sadness,”Ducournau’s “Titane” and Bong Joon Ho’s “Parasite,” which it steered to a best picture win at the Academy Awards.

Triet was presented the Palme by Jane Fonda, who recalled coming to Cannes in 1963 when, she said, there were no female filmmakers competing “and it never even occurred to us that there was something wrong with that.” This year, a record seven out of the 21 films in competition at Cannes were directed by women.

After a rousing standing ovation, Triet, the 44-year-old French filmmaker, spoke passionately about the protests that have roiled France this year over reforms to pension plans and the retirement age.

“The protests were denied and repressed in a shocking way,” said Triet, who linked that governmental influence to that in cinema. “The merchandizing of culture, defended by a liberal government, is breaking the French cultural exception.”

The jury prize went to Finnish director Aki Kaurismäki’s “Fallen Leaves,” a deadpan love story about a romance that blooms in a loveless workaday world where dispatches from the war in Ukraine regularly play on the radio.

Best actor went to veteran Japanese star Koji Yakusho, who plays a reflective, middle-aged Tokyo man who cleans toilets in Wim Wenders’ “Perfect Days,” a gentle, quotidian character study.

The Turkish actor Merve Dizdar took best actress for the Nuri Bilge Ceylan’s “About Dry Grasses.” Ceylan’s expansive tale is set in snowy eastern Anatolia about a teacher, Samet (Deniz Celiloğlu), accused of misconduct by a young female student. Dizdar plays a friend both attracted and repelled by Samet.

“I understand what it’s like to be a woman in this area of the country,” said Dizdar. “I would like to dedicate this prize to all the women who are fighting to exist and overcome difficulties in this world and to retrain hope.”

Vietnamese-French director Tràn Anh Hùng took best director for “Pot-au-Feu,” a lush, foodie love story starring Juliette Binoche and Benoît Magimel and set in a 19th century French gourmet château.

Best screenplay was won by Yuji Sakamoto for “Monster.” Sakamoto penned Japanese director Hirokazu Kore-eda’s nuanced drama, with shifting perspectives, about two boys struggling for acceptance in their school at home. “Monster” also won the Queer Palm, an honor bestowed by journalists for the festival’s strongest LGBTQ-themed film.

Quentin Tarantino, who won Cannes’ top award for “Pulp Fiction,” attended the ceremony to present a tribute to filmmaker Roger Corman. Tarantino praised Corman for filling him and countless moviegoers with “unadulterated cinema pleasure.”

“My cinema is uninhibited, full of excess and fun,” said Corman, the independent film maverick. “I feel like this what Cannes is about.”

The festival’s Un Certain Regard section handed out its awards Friday, giving the top prize to Molly Manning Walker’s debut feature, “How to Have Sex.”

Saturday’s ceremony drew to close a Cannes edition that hasn’t lacked spectacle, stars or controversy.

The biggest wattage premieres came out of competition. Martin Scorsese debuted his Osage murders epic “Killers of the Flower Moon,” a sprawling vision of American exploitation with Leonardo DiCaprio and Lily Gladstone. “Indiana Jones and the Dial of Destiny,” Harrison Ford’s Indy farewell, launched with a tribute to Ford. Wes Anderson premiered “Asteroid City.”

The festival opened on a note of controversy. “Jeanne du Barry,” a period drama co-starring Johnny Depp as Louis XV, played as the opening night film. The premiere marked Depp’s highest profile appearance since the conclusion of his explosive trial last year with ex-wife Amber Heard.
…

Memorial Day in the United States is supposed to be about mourning the nation’s fallen service members, but it’s come to anchor the unofficial start of summer and a long weekend of discounts on everything from mattresses to lawn mowers.

Auto club AAA said in a travel forecast that this holiday weekend could be “one for the record books, especially at airports,” with more than 42 million Americans projected to travel 50 miles (80 kilometers) or more. Federal officials said Friday that the number of air travelers had already hit a pandemic-era high.

But for Manuel Castaneda Jr., 58, the day will be a quiet one in Durand, Illinois, outside Rockford. He lost his father, a U.S. Marine who served in Vietnam, in an accident in California while training other Marines in 1966.

“Memorial Day is very personal,” said Castaneda, who also served in the Marines and Army National Guard, from which he knew men who died in combat. “It isn’t just the specials. It isn’t just the barbecue.”

But he tries not to judge others who spend the holiday differently: “How can I expect them to understand the depth of what I feel when they haven’t experienced anything like that?”

What is the official purpose of Memorial Day?

It’s a day of reflection and remembrance of those who died while serving in the U.S. military, according to the Congressional Research Service. The holiday is observed in part by the National Moment of Remembrance, which encourages all Americans to pause at 3 p.m. for a moment of silence.

What are the origins of the holiday?

The holiday stems from the American Civil War, which killed more than 600,000 service members — both Union and Confederate — between 1861 and 1865.

There’s little controversy over the first national observance of what was then called Decoration Day. It occurred May 30, 1868, after an organization of Union veterans called for decorating war graves with flowers, which were in bloom.

The practice was already widespread on a local level. Waterloo, New York, began a formal observance on May 5, 1866, and was later proclaimed to be the holiday’s birthplace.

Yet Boalsburg, Pennsylvania, traced its first observance to October 1864, according to the Library of Congress. And women in some Confederate states were decorating graves before the war’s end.

But David Blight, a Yale history professor, points to May 1, 1865, when as many as 10,000 people, many of them Black, held a parade, heard speeches and dedicated the graves of Union dead in Charleston, South Carolina.

A total of 267 Union troops had died at a Confederate prison and were buried in a mass grave. After the war, members of Black churches buried them in individual graves.

“What happened in Charleston does have the right to claim to be first, if that matters,” Blight told The Associated Press in 2011.

In 2021, a retired U.S. Army lieutenant colonel cited the story in a Memorial Day speech in Hudson, Ohio. The ceremony’s organizers turned off his microphone because they said it wasn’t relevant to honoring the city’s veterans. The event’s organizers later resigned.

Has Memorial Day always been a source of contention?

Someone has always lamented the holiday’s drift from its original meaning.

As early as 1869, The New York Times wrote that the holiday could become “sacrilegious” and no longer “sacred” if it focuses more on pomp, dinners and oratory.

In 1871, abolitionist Frederick Douglass feared Americans were forgetting the Civil War’s impetus — slavery — when he gave a Decoration Day speech at Arlington National Cemetery.

“We must never forget that the loyal soldiers who rest beneath this sod flung themselves between the nation and the nation’s destroyers,” Douglass said.

His concerns were well-founded, said Ben Railton, a professor of English and American studies at Fitchburg State University in Massachusetts. Even though roughly 180,000 Black men served in the Union Army, the holiday in many communities would essentially become “white Memorial Day,” especially after the rise of the Jim Crow South, Railton said.

Meanwhile, how the day was spent — at least by the nation’s elected officials — could draw scrutiny for years after the Civil War. In the 1880s, then-President Grover Cleveland was said to have gone fishing — and “people were appalled,” said Matthew Dennis, an emeritus history professor at the University of Oregon.

By 1911, the Indianapolis 500 held its inaugural race on May 30, drawing 85,000 spectators. A report from The Associated Press made no mention of the holiday — or any controversy.

How has Memorial Day changed?

Dennis said Memorial Day’s potency diminished somewhat with the addition of Armistice Day, which marked World War I’s end on Nov. 11, 1918. Armistice Day became a national holiday by 1938 and was renamed Veterans Day in 1954.

An act of Congress changed Memorial Day from every May 30 to the last Monday in May in 1971. Dennis said the creation of the three-day weekend recognized that Memorial Day had long been transformed into a more generic remembrance of the dead, as well as a day of leisure.

In 1972, Time magazine said the holiday had become “a three-day nationwide hootenanny that seems to have lost much of its original purpose.”

Why is Memorial Day tied to sales and travel?

Even in the 19th century, grave ceremonies were followed by leisure activities such as picnicking and foot races, said Dennis, the Oregon professor.

The holiday also evolved alongside baseball and the automobile, the five-day work week and summer vacation, according to the 2002 book, “A History of Memorial Day: Unity, Discord and the Pursuit of Happiness.”

In the mid-20th century, a small number of businesses began to open defiantly on the holiday.

Once the holiday moved to Monday, “the traditional barriers against doing business began to crumble,” wrote authors Richard Harmond and Thomas Curran.

These days, Memorial Day sales and traveling are deeply woven into the nation’s muscle memory. This weekend, 2.7 million more people will travel for the unofficial start of summer compared to last year — despite inflation, according to AAA.

The Transportation Security Administration said it screened 2.66 million people at airport checkpoints on Thursday, about 2,500 more than last Friday, and the highest number since the Sunday after Thanksgiving in 2019. The Federal Aviation Administration had predicted that Thursday would be the busiest travel day of the holiday period, with more than 51,000 airline flights.

Meanwhile, Jason Redman, 48, a retired Navy SEAL who fought in Iraq and Afghanistan, said he’ll be thinking of friends he’s lost. Thirty names are tattooed on his arm “for every guy that I personally knew that died.”

He wants Americans to remember the fallen — but also to enjoy themselves, knowing lives were sacrificed to forge the holiday.
…

The traveling art exhibition “Icons on Ammo Boxes” stopped in New York City in early May, featuring the work of Ukrainian artists Oleksandr Klymenko and Sonya Atlantova. The two paint traditional Christian icons on real ammunition boxes from the Ukranian front lines, symbolically portraying life overcoming death. Nina Vishneva has the story, narrated by Anna Rice. Camera: Natalia Latukhina, Vladimir Badikov
…

Art from across Africa is on display in a newly renovated gallery at the Denver Art Museum in the U.S. state of Colorado. VOA’s Scott Stearns shows us what is on display.
…

Tina Turner, the American-born singer who left a hardscrabble farming community and abusive relationship to become one of the top recording artists of all time, died on Wednesday at the age of 83.

She died peacefully after a long illness in her home in Küsnacht near Zurich, Switzerland, her representative said.

Turner began her career in the 1950s during the early years of rock ’n’ roll and evolved into an MTV phenomenon.

In the video for her chart-topping song “What’s Love Got to Do with It,” in which she called love a “second-hand emotion,” Turner epitomized 1980s style as she strutted through New York City streets with her spiky blond hair, wearing a cropped jean jacket, mini skirt and stiletto heels.

With her taste for musical experimentation and bluntly worded ballads, Turner gelled perfectly with a 1980s pop landscape in which music fans increasingly valued electronically produced sounds and scorned hippie-era idealism.

Sometimes nicknamed the “Queen of Rock ‘n’ Roll,” Turner won six of her eight Grammy Awards in the 1980s. The decade saw her land a dozen songs on the Top 40, including “Typical Male,” “The Best,” “Private Dancer” and “Better Be Good to Me.” Her 1988 show in Rio de Janeiro drew 180,000 people, which remains one of the largest concert audiences for any single performer.

By then, Turner had been free from her marriage to guitarist Ike Turner for a decade.

The superstar was forthcoming about the abuse she suffered from her former husband during their marital and musical partnership in the 1960s and 1970s. She described bruised eyes, busted lips, a broken jaw and other injuries that repeatedly sent her to the emergency room.

“Tina’s story is not one of victimhood but one of incredible triumph,” singer Janet Jackson wrote about Turner, in a Rolling Stone issue that placed Turner at No. 63 on a list of the top 100 artists of all time.

“She’s transformed herself into an international sensation — an elegant powerhouse,” Jackson said.

In 1985, Turner gave a fictional turn to her reputation as a survivor. She played the ruthless leader of an outpost in a nuclear wasteland, acting opposite Mel Gibson in the third installment in the Mad Max franchise, “Mad Max Beyond Thunderdome.”

Most of Turner’s hit songs were written by others, but she enlivened them with a voice that New York Times music critic Jon Pareles called “one of the more peculiar instruments in pop.”

“It’s three-tiered, with a nasal low register, a yowling, cutting middle range and a high register so startlingly clear it sounds like a falsetto,” Pareles wrote in a 1987 concert review.

She was born Anna Mae Bullock on November 26, 1939, in the rural Tennessee community of Nutbush, which she described in her 1973 song “Nutbush City Limits” as a “quiet little old community, a one-horse town.”

Her father worked as an overseer on a farm and her mother left the family when the singer was 11 years old, according to the singer’s 2018 memoir My Love Story. As a teenager, she moved to St. Louis to rejoin her mom.

Ike Turner, whose 1951 song “Rocket 88” has often been called the first rock ’n’ roll record, discovered her at age 17 when she grabbed the mic to sing at his club show in St. Louis in 1957.

The band leader later recorded a hit song, “A Fool in Love,” with his protégé and gave her the stage name Tina Turner, before the two married in Tijuana, Mexico.

Tina employed her strong voice and strenuously rehearsed dance routines as lead vocalist in an ensemble called the Ike and Tina Turner Revue. She collaborated with members of rock royalty, including The Who and Phil Spector, in the 1960s and 1970s and appeared on the cover of issue two of Rolling Stone magazine in 1967.

Ike and Tina Turner bounced between record labels, owing much of their commercial success to a relentless touring schedule. Their biggest hit was a cover of Creedence Clearwater Revival’s “Proud Mary.”

Turner left her husband one night in 1976 on a tour stop in Dallas, after he pummeled her during a car ride and she struck back, according to her memoir. Their divorce was finalized in 1978.

The Rock & Roll Hall of Fame inducted Ike and Tina Turner in 1991, calling them “one of the most formidable live acts in history.” Ike Turner died in 2007.

After leaving her husband, Turner spent years struggling to regain the limelight, releasing solo albums and singles that flopped and gigging at corporate conferences.

In 1980, she met new manager Roger Davies, an Australian music executive who went on to manage her for three decades. That led to a solo No.1 record — “What’s Love Got to Do With It” — and then in 1984 her album “Private Dancer” landed her at the top of the charts.

“Private Dancer” went on to become Turner’s biggest album, the capstone of a career that saw her sell more than 200 million records in total.

In 1985 Turner met German music executive Erwin Bach who became her long-term partner and in 1988 she moved to London, beginning a decades-long residency in Europe. She released two studio albums in the 1990s that sold well, especially in Europe, recorded the theme song for 1995 Bond movie “GoldenEye” and staged a successful world tour in 2008 and 2009.

After that, she retired from show business. She married Bach, relinquishing her U.S. citizenship and becoming a citizen of Switzerland.

She battled a number of health problems after retiring and in 2018 she faced a family tragedy, when her oldest son, Craig, died by suicide at age 59 in Los Angeles. Her younger son Ronnie died in December 2022.

Her name continues to draw audiences years after her retirement. Musical stage show “TINA – The Tina Turner Musical,” with Adrienne Warren initially acting and singing the star’s life story, was a hit first in London’s West End in 2018, and later on Broadway, and is still running. And in 2021 HBO released a documentary about her life, “Tina.”

She is survived by Bach and two sons of Ike Turner’s whom she had adopted.
…

An art auction and New York gala have raised nearly $6 million to preserve and restore the childhood home of soul music legend and civil rights activist Nina Simone, organizers said Tuesday.

The twin events brought in some $5.88 million — far more than the original $2 million organizers hoped to raise to restore the rural North Carolina abode.

“The new funding will meaningfully advance our project goals to complete the full restoration of the house and landscape,” said Brent Leggs, executive director of the African American Cultural Heritage Action Fund. “With this investment, we are well on our way to opening the doors to visitors in 2024.”

Four US artists — Julie Mehretu, Ellen Gallagher, Rashid Johnson and Adam Pendleton — bought the dilapidated rural home in 2017 for $95,000. They’ve since worked with Leggs’ organization, as well as tennis star Venus Williams, to raise money to turn the house into a cultural and historical site.

The online auction, with works donated by British painter Cecily Brown and American artist Sarah Sze, was organized by Pace and Sotheby’s.

Among the 11 works for sale, Mehretu’s ink-and-acrylic “New Dawn, Sing (for Nina)” fetched $1.6 million.

Simone, whose songs found renewed resonance during the Black Lives Matter protests of recent years, had a complex, often difficult relationship with the United States, where she was born in 1933, during the era of racial segregation.

Born Eunice Waymon, she spent the first years of her life in the three-room house in Tryon, in the rural southeastern state of North Carolina, with her parents and siblings, and began playing the piano at age 3.

But her dream of becoming a classical concert performer was shattered when she was rejected by Philadelphia’s prestigious Curtis Institute of Music, an ordeal she attributed to racism.

In the 1960s, Simone was active in the civil rights movement, including through rousing speeches and song.

Her “Mississippi Goddam,” was a response to a 1963 fire in an Alabama church started by members of the Ku Klux Klan. Three days after the assassination of Martin Luther King in 1968, she performed “Why? (The king of love is dead).”

Simone eventually left the United States and lived her last years in the south of France, where she died in 2003.
…